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EARMILK: PERSONAL JESUS PREMIERE
Past, present, future: the three states that all forms of artistry try to understand. Remarkably, L.A based singer-songwriter Michelle Kash somehow manages to encapsulate all three with her unique style. With her lush voice and alt-pop sound that belongs in a smoke-filled back room, it's easy to get lost in the fantasy of a world long gone. But somehow, she manages to stay grounded, finding her place not in the Soundcloud pop machine or the radio queue, but in an undiscovered niche, seemingly reserved only for her. Premiering here today, her sultry cover of Depeche Mode's "Personal Jesus" combines the love of her past with the passion of her present, and finally, the optimism for her future.
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CELEB SECRETS
The LA-based singer/songwriter’s seductive, fiery take on alternative pop is equally evocative and empowering in its confidence and charisma. In between echoes of swelling synths, her voice tows the line between a coy croon and a commanding chant on “Personal Jesus,” painting her as a 21st century temptress.
“I’ve always been looking for some cover to bring to the live set that I really connect with and that’s where ‘Personal Jesus’ came in,” Kash tells Celeb Secrets. “When I was going through ideas, I instantly thought of [the song] because it’s one of the most legendary songs and I really connected with it with the arrangement.”
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The PRELUDE PRESS
Inspired by everyone from Aretha Franklin, Joan Jett, Patti Smith, and Jefferson Airplane's Grace Slick to Fiona Apple, Cat Power, Portishead, and Florence + the Machine, Michelle grew up playing guitar and piano and writing poetry of her own and was surrounded by art and creativity during her globe-trotting childhood. In addition to her music, Michelle has had a lifelong commitment to philanthropy and advocating for gender equality, female empowerment and is a fierce fighter for animal rights. With a goal to focus heavily on these core values on top of releasing new music this year, 2020 is shaping up to be incredible for Michelle Kash.
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